From the monthly archives: September 2012

It was annoying enough to be diverted while flying, land at an unintended airport, wait out a storm, and then arrive home three hours late the evening of September 7. But I was also missing the season’s first performance of the University of Missouri-St. Louis’ (UMSL) Arianna String Quartet. It was especially disappointing because, as someone who plays a viola, I was really looking forward to the world premier of a quintet written specifically for Arianna violist, Joanna Mendoza.

Now here is where I was redeemed by social media. At the Arianna Facebook page, someone posted a comment about the performance and I casually responded that I had been waylaid and was so sorry I missed out. How welcome it was, then, that Joanna herself messaged me (it’s not out of the blue – I took lessons for a few months from Joanna several years ago, so she does know who I am) and offered me a CD of the performance. How could I refuse?

As lovely as the first pieces were, Haydn String Quartet, Opus 33 No. 2 (“The Joke”) and the Shostakovitch String Quartet No. 3, it’s Kenji Bunch’s “String Circle” I want to tell the world about. The composer, a violist, joined the quartet.

The concert was labeled “celebrations” and indeed, this piece fulfilled that word to a t (and a l and a b and all the other letters). I would describe it as a amalgam of Americana themes and styles including jazz and rockabilly (walking bass lines), southern mountain music (hillbilly), American West (Marlboro man), Americanized Irish jig, Aaron Copeland, Broadway musical, what I heard as television sitcom themes (e.g., Mary Tyler Moore, Andy Griffith), and even rock n roll. Like alchemists, the players spun a golden tapestry out of what might at first appear disparate fragments.

I heard train whistles, fiddles, dulcimers, mandolins, crows cawing, and the whispers of a sad broken old man comically crossing the Western Plains on his mule, as if he was in an episode of the Road Runner cartoon. The third movement was somber, elegiac, like residents were waiting for the last light to go out in their dying Midwestern town, and then the walking bass line in the cello took us into the grave. As percussive as the fourth movement begins, then growing playful, perhaps a horse trotting up to a saloon, it has a big finish. And the final movement is rhythmically complex (more like the Shostakovitch).

It’s gratifying when something I write agrees with something in the liner notes I haven’t yet read. At the beginning of the fourth movement, heavy on the pizzicato, I wrote down “gathered meeting.” I’m not sure what I meant except that this phrase, among other things I’m sure, refers to how, at a Quaker Meeting (what they call their Sunday service), the comments people make as they contemplate life in silence are related by a common theme. Bunch’s composition wove together so many familiar sounds from contemporary America, some as embedded in our consciousness as iconic images from film (think Hitchcock or Gone with the Wind), but a common experience unites them all. In the advance program notes, Ms. Mendoza describes String Circle as “the sounds of old friends coming together. And who are old friends but people with whom we have many common experiences?

As thankful as I was for the CDs, the one common theme running through my head as I listened was that this was no substitute for the live performance. Especially with chamber music, you are one not only with the music but the emotions, the expressions, and the movements of each of the players.

The Arianna Quartet is a treasure. And now, I believe they have released a new CD of the Janacek quartets. Check their website . And catch their next performance.

I’m taking a graduate level sociology course, Graduate Research Methods. I am learning all the different ways to “design” a research program in the social sciences. What strikes me is the degree to which much social science research strives to look and feel like “real” science (i.e., the physical sciences) by making it quantitative, usually through the use of statistics. While it is true that interest is growing in “qualitative” social science (ethnographic studies, oral histories) research methods, the quants still rule the roost, for the most part, says my professor. It is impressive how hard social scientists work to make their research quantitatively relevant.

For my purposes here, I call this getting from words to numbers. For example, social scientists use surveys, interviews, and often large sample populations to solicit their raw data. Then they analyze the narrative responses with numbers.

Most of my career has been working in the reverse, numbers to words – that is, explaining hard-core engineering and technology in narrative form – magazine articles, face to face presentations, books, and the like. Most engineers and scientists (and lawyers, I heard from the head of the writing program at my daughter’s Alma Mater) lack good communication skills. Fortunately for my career (and paying my kids’ tuition bills), I am educated as a chemical engineer but I love to write and ended up combining the two into a satisfying career in the energy industry.

I’ve been somewhat obsessed by mathematical and computer models these days – models used in financial engineering, global climate change, environmental assessments, economic development, and many other endeavors. I hope my next book (proposal currently with an agent seeking a publisher) will be on this subject. While models are essential, called in an article published recently in SIAM News (Society for Industrial and Applied Mathematics)  the third pillar of science, they also can be abused easily. More critically, most people, educated or not, have little understanding of how these models work or how they impact our decisions, opinions, and those of our political and cultural leaders.

We are talking about MODELS in my class as well. This week, I had an epiphany. Whether you are designing a survey to ferret out some aspect of social behavior, handicapping the presidential election, forecasting what stocks and equities will do, or assessing future impact of climate change, everyone working with a model has a similar root problem: the quality of the data, the accuracy of the measurements, the utility of the raw material that is fed to the “model.”

In a survey, how you phrase a question has everything to do with the nature of the response, as well as a host of other signals, like body language, attitude and cooperation of your subject, and many others. In more quantitative models, the accuracy of your data (temperature measurements, e.g.) and the validity of your assumptions have everything to do with the quality of your output.

garbage in is always going to result in garbage out, qualitative or quantitative. For the most part, models are developed to explain the past and then make some forecast, prediction, or statement about the future (social behavior, consumer prices, inventory, weather patterns, economic growth, etc).

When we are forming an opinion about world events (our internal “models” of the world), conducting a survey for social science research, or trying to forecast what the economy will do in the next months and years, all of us should pay more attention to the quality of the raw data regardless of whether we are converting words into numbers or numbers into words. It’s hard enough to forecast under the best of circumstances. But it’s damn near impossible if the data you’ve collected about the past is suspect.

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